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March 15, 2011

It had already been kind of a stressful night.

Not that it should have been. As my mother told me later, I was doing everything that I should be doing, in the sort of way that I myself make checklists for myself, take stock at myself, travel the way my internal compass points however inexplicable or wrong it may end up being.

I blame improv as the enabler: in improv, you make a big choice and then deal with the fallout later.

In life, the big choices are less easy to make and the fallout doesn’t go away when the teacher says “scene”.

Anyway, it shouldn’t have been stressful. It should have been fine.

I found myself on set on a PBS documentary set at the Waldorf, in a situation that itself could have been stressful, I guess.

There was the feeling of a return and the sense of duty or need to succeed that comes with that, the idea that I was returning to a day job in the film industry after my experience running from my last job that had tender-and-brutalized me before sending me into the scuzzy arms of an art-house movie theater, which now seemed mostly filled with coworkers who found me neither funny nor attractive.

There was the sense returning on to set, setting up C-stands awkwardly, curling them on the floor, that I was being watched with everything I was doing. That they would see my inability to wrestle with these steel objects and expel me to movie theater hell.

But none of this happened. Everyone was perfectly nice and supportive of me. The shoot went smoothly. They let me go home early and gave me a bag of cookies to take home, like I had gone to play at a friend’s house.

But it was also not permanent and the truth was, I was back to doing a double at the theater tomorrow.

Results: inconclusive.

But nice enough for now.

Still, even with my somewhat dreamy time on set, Firewire download-transfers speed up for no man and I was late to my improv practice group.

Along the way, all day, I had been getting text messages and emails from people in my practice group, jumping like from a boat, while  one, sadly deluded, member was sending me Facebook messages about the performances my group could be doing.

“We’ll see if any of them show up.” I told her.

Enough of them did, though the lamest excuse I got was an email from the person who was supposed to be running the group saying he “had to be at a concert”, a sentiment whose earnestness I questioned, given that he didn’t tell me he “had to be at a concert” after any of the last three emails I sent him.

Anyway, I yelled about that to my whole group, wasting more time and then again on the street and then again later when Matt Chao took me out to Hill Country Chicken to calm me down.

“11 minutes in!” I told him. “Who has to be at a concert anyway?”

“Who cares? Isn’t this more your improv group at this point? You’ve been going to more of them?” Matt said with his big Matt grin, staring stoop-down at the sidewalk. “Also, you have a job now. Isn’t that cool?”

Actually, Matt had set me up with the PBS job, a signal of how well he was doing after his two years of slave (intern) labor at PBS; he was now such a public-tv hottie, he could pawn off producers wanting him on his less-attractive friends.

“Maybe, but I’m not much one for the improv coup d’etat.” I replied, before we reached the chicken-bone door.

I had been struggling also at that point to deal with the tweets and the other things that were coming my way as the Bravo episode I wasn’t watching unfolded.

I had gotten into a fight already (and made up) over my mother’s anger at how I was portrayed on the clip from the episode that was online (she was angry B was “snarky” to me), but now I dealt with everything from people asking me for vegan recommendations to Facebook girls telling me “I’m your soulmate let’s meet up immediately” (“Who said that? Can we see this girl? Where does she live?” My quasi-returned quasi-roommate John Beamer asked.)

“I dunno.” I told Matt as I dipped my chicken tender in three different kinds of sauces (Honey Mustard, Hot Sauce, Ketchup) “I guess I appreciate it, but it’s not what I’m looking for.”

“Which is what?” Matt asked me in a dead-pan near un-interest as he picked the chicken out of his “Kickin’ Chicken Salad”.

“Fuck if I know. Someone who meets me to just like me for who I am. I don’t know what to do with virtual affirmations.”

“That’s cool.” Matt replied as I dipped another tender. When I turned around to toss out some empty containers, Matt grabbed my phone and started pining over his crush, looking at her on facebook.

“Stop that.”

“I’m just logging out!”

“Is she in a Super-Mario costume?”

“THOSE ARE MY PICTURES!”

I logged Matt out as we walked together toward the train, shuffle-stepping like at least, for whatever else, we still didn’t know what, really, to do.

***

And then for everything else, my ex-girlfriend came strolling into my subway car on the E train back from Grand Central.

And she said “Hi, Nick.”

“In all the subway cars, in all the world…” I thought, making poor-man’s Casablanca references of my life.

My love-life, rarely a topic of jubilance on my behalf, has been going not much better since I got dissed by two girls in a week and realized that I was the sort of guy my taken lady-friends wouldn’t set up someone they knew on a date with (I heard that’s how dating used to work).

But other than the ladies sending me amorous arrows from across the webs, I only had a couple girls say they might be up for meeting me and in all of the discussions the word “creepy” came up though, to be fair, I was the one who used it.

But then there was Eva sitting next to me, wearing lipstick and a dress, looking good.

“Hi Eva. You look good.” I told her. A test. What would she say?

“Thank you.” She replied. She didn’t tell me I looked good. Why did I need that from her, all of then now?

We talked for what could only have been a couple minutes as we sat on that E train, as we talked about stand-up comedians and I told her all the run-ins I’d had, since I last saw her.

It was my stop too soon, or just soon, I had barely looked at her. She had moved to touch me a couple times. There were the spaces where she would have touched me to congratulate me.

Hanging out with Andy Kindler. Having Colin Quinn recognize me on stage.

“Wow,” She exclaimed. “It sounds like your life is going great!.”

And she finally touched me, a punch to the shoulder.

“Yeah.” I replied. “Bye Eva.”

“Bye Nick.” I heard from behind me. But I didn’t turn around.

I exited the station.

Then went back downstairs as I heard the train leaving and took that picture.

Sometimes we want to capture a moment without risking ourselves.

Sometimes it’s just easier to take that picture when the doors closed.

And then the train was just, gone.

***

Andrew Parrish is a douchebag.

I should just say that up-front.

Now, I have a long standing, really meaning-less beef with the guy, stemming back from a time we both starred in an experimental film made by Ro-bearded Malone (his future roommate), called Our Friend Baldwin where I played Baldwin, a romantic novelist who is writing a pice of historical fiction set between the two Kennedy assassinations and he plays my hot friend who fucks a lot, sometimes while wearing a Richard Nixon mask.

The beef is this: We were both on set, we were sitting in a hallway-staircase and in a burst of spontaneous confession, I told him that I had been crushing on a girl from my playwriting class and asked his advice on how to woo her, which he gave willingly, never revealing that the lady in question and him were hooking up and soon dating.

Flash-forward, the girl’s gone, he apologized profusely and admitted his mistake, I forgave him and was the bigger man.

But now here he is still with a six-pack and a hot-ass haute-theater girlfriend and here I am. writing tweets from my work-place about the cost of water-bottles.

Dick move, amirite?

Anyway, Andrew is still endless sorry for it, or at least he likes hanging out with me, so while usual suspects Rob and Chadd Harbold (who drunkenly/loudly confessed his love for me and my potential as “the next that tour guy whose name sound like Skeet Ulrich, except it isn’t”) were out of town living it up at SXSW, Andrew came out and supported me at my improv show, saw a movie with me on a Sunday morning no one was awake for and even met me at Faicco’s to get some food before the flick.

It was the first time I’d been back there in a while and the first time EVER I’d noticed a “Daily Specials” notice listed on their board.

Faicco’s, for those of you who don’t know, is a wonderful Italian specialties store, like the kind that runs around Bensonhurst and is all but extinct in Little Italy. It is one of a few relics on Bleecker St (Ottomanelli’s Rocco’s) of the old West Village, an Italian WWII-era nabe. As such, it’s real/authentic down to the early close Sunday for mass.

“Chicken Parm!” I exclaimed to Andrew and the bilboard and the sandwich man under the board. “Impossible! You guys don’t have a toaster here! I’ve been told!”

“Actually, we do have a small convection oven.” Sandwich Man said in a wise-guy-movie accent.

“Nuh-uh! I would always ask you guys if you could reheat the Chicken Parms from the display case.”

“Yeah, we don’t do that.” He replied cryptically. And somehow that was the final statement on that.

“I’ll have the other special.” Andrew said, looking up at the board, at an offer of a 9-buck Chicken Cutlet, Pesto and Fresh Mozz Hero.

“Me too! Can we get it toasted?” I asked, eager.

The sandwich man nodded.

“You want a meltdown?” He asked Andrew.

“Uh–” Andrew replied.

“Yes!” I interceded. “His answer is yes.”

The Sandwich Man nodded sagely and in minutes our sandwiches were handed to us warm, foil-wrapped.

“Where do we go to eat these?” Andrew asked as we strolled down Bleecker, sandwich-bound.

“Father Demo.” I replied. “Old as hell.”

I could say that the ‘wich wasn’t as good as my classic (Chic. Cutlet, Fresh Mozz, Sun-dried Tomatoes, Garlicky- Oil from SDT, Vinegar) but it was also damn good as Andrew and I both experienced sitting on that pigeon-nested bench in Father Demo.

The unseen toaster gave it a crunch and a new vitality that would have come too if we had arrived an hour earlier, when the cutlets were fresh-fried off.

“This is great.” Andrew commented.

“Fuck you, Andrew. Your girlfriend’s hot.” I replied food-in-mouth.

“You know, Nick, you’re right,” He replied in his “I’m the professor who fucks my students” kind of way. “That really has a lot to do with the situation at hand and what I said. Also, I don’t know, thanks?”

“No problem.” I replied, food-stil-in-mouth.

At least we got good seats for the movie.

***

FAICCO’S PORK STORE

Chicken Cutlet w/Homemade Pesto Sauce and Fresh Mozzarella on a Toasted Seeded Semolina Roll (that last part is important)- $9.00

Bleecker St bet. 6th and 7th Aves.

ACEBDFM to West 4th St. 1 to Christopher St.

 


What Jews Do Round Christmas Time

December 25, 2010

I went to see “Colin Quinn: Long Story Short” on a Thursday night I had off from work and nothing to do.

Some friends had texted me about maybe helping them out with some Final Cut problems and coming over to my place bringing some beer, but they’d canceled a little after asking, causing no small amount of melancholy to form in me.

With my most frequent quasi-roommate John Beamer back in Palo Alto again for the holidays, I wasn’t relishing going home with nothing to do and no one to talk to there.

Somehow, even when you’re in a relationship, even if you can’t see the person you want, times like those seem more bearable.

Though walking around the movie theater last night, waiting for shows to get out, I thought about all the times Eva never called me back or answered my text messages, when we were together, especially towards the end. Did she not want to talk to me, even then?

Anyway, it was a good idea to see the show, as it would garner me some company for the night.

I even went back, after some absent-mindedness, to my old lunchtime spot, Good N’ Plenty to Go over on 43rd St, where they still remembered me and even where I worked now.

Sometimes, having the illusion of friends like that can be enough when you’re feeling low. It’s probably why I wanted to go to a Chili’s after my last funeral.

The show was good, smart. Mr. Quinn was more energetic and engaged than I had ever seen him previously in his comedy and what’s more, he’d really worked out some funny characters, which was nice to see him expanding, since he was always known for his Brooklyn-y dry wit.

Courtesy of some good timing and an (expired) Student ID, I had a front row-left seat by myself in the theater and at the end of the show when I stood up to applaud, Mr. Quinn called me out from the stage, not by name, but by a double take, pointing to me and saying “Angelika!”.

After the show, I waited by the stage door with my program for him to sign, by myself. It was a slow, cold Thursday night and he seemed to expect me when he came out with his hat.

Our conversation was short, made sillier by his assistant (girlfriend?) who (of course?) instantly recognized me from “that Bethenny show” and wanted to talk about it.

When Mr. Quinn signed my program, it was to “Some guy who’s more famous than me”.

I wrote him an email yesterday, before going in to the movie theater, apologizing for talking about me and not congratulating him enough and thanking him for all the advice he’d given me.

I mentioned that my girlfriend had dumped me, a situation he referenced, in other cases, a couple times in the show.

He answered me a few hours later.

Nice guy, that Colin Quinn.

***

I had needed emergency text interventions by Rob Malone and Chadd Harbold the other night to keep from contacting Eva. I say emergency and maybe it’s fair, because I did want to talk to her, but similar to suicidal thoughts and actions, it’s much different to tell someone you’re thinking about something than to just do it.

Chadd and Rob though were buddies, as many of my friends have been, trying to step up to deal with my sometimes collapses.

Chadd tried to give me some practicals about th ways such things worked, having known as both dumper and dumpee, while Rob just tried to hit at my melancholy and sympathize, just saying that it wouldn’t make things better.

It’s been affecting me still in big ways and small.

I saw “The Illusionist” today, at its first how at the Paris, a wonderful theater, if you’ve never been there and a wonderful movie.

The film is about, for a part, relationships and accepting their decay and living in the sadness of them. I cried a lot at the end, which is appropriate to the film, but I can’t there weren’t some scenes that brought up memories to me.

My work had a holiday party the other day, which was fun, full of presents and sandwiches and drinks.

But the party, in a way, was just like the job: trying to connect with people who aren’t interested in your life.

As I sat, getting slowly drunker. I saw Andy with his easy-going So-Cal charm float freely and happily between people, while I just behind bottles making drinks, trying to feel like I had a purpose, if not a place.

As my co-workers flirted and kissed and bopped each other on the head and recounted stories, I fell deeper and deeper into myself, away from everything and finally, back home.

Alcohol lately has seemed like a trap to me, something that just sends me spiraling backwards towards thinking of her, puzzling out what we had, asking questions, finding unsatisfying answers.

And as for Mr. Quinn’s advice, the implementation seems hard.

As my therapist somewhat predicted, I have been “active” on the dating website I’m on, a feat made easier by the discovery, almost laughably, that it would seem that all my single friends are actually already on there.

It’s a mark of their comfort versus my discomfort that I could text a friend the other night, only to have him tell me he was “OKCupid dating”, a fact he had never revealed to me before, shot so casually in response to a “hey whatsup”.

I guess a positive out of all this is I feel less bad about my pratfalls, when a girl doesn’t respond to a smile in real life, or a message virtually, I don’t feel bad like I once would, judging myself for it. I feel good that I’ve put myself out there, step forward. It’s a numbers game, after all, just like college or jobs or anything else. You just got to find someone who’s looking for and who can give what you have, like a set of gloves or shoes.

I guess there’s some freedom in accepting you’re not the right fit for everyone.

Still, it would be nice if someone tried you on, once in a while.

***

I’d be remiss I guess if I didn’t say “Merry Christmas” to people.

As a Jew, this sort of day fills me with the sort of questioning ennui only made less painful by the sense that there are X million other Jews feeling about the same way right now too.

After I saw the movei with my grandma, we headed down to The Plaza Food Hall, a favorite spot of ours, to eat some lunch.

My grandma has a way about her, with her glamorous natural-red hairdo, more sensible and lighter than my hair, though you could see the resemblance.

Anyway, we skipped past various Omaha-ans and Frenchies to be seated in the crowded Todd English joint.

“Oh, Nicholas!” She exclaimed in her particular way, throwing her hands up on her comically high stool. “You should have last Christmas! I went by the Jewish museum and there was such a line!”

“Weird.” I replied, monosyllabically. “Why’s that?”

“One of the only options, I believe for entertainment for us on Christmas.” She opined. “Ooh and look at these people next to us! Swedish I think!”

The people were sitting but inches from us on a communal table.

“Excuse me,” She asked excitedly. “But are you Swedish?!”

The blond woman in glasses politely replied “Denmark.”

“Oh, but close enough!” Grandma said. I knew somewhere ex-Scandanavian Jonny-Jon-Jon was laughing at what was certainly in insult to the self-considered superiority of the Danish.

“Oh, but Nicholas!” she exclaimed further. “Do you know how the Danish pronounce Copenhagen?”

“Huh?” I replied.

“Kwapin! Kwapenin!” She said excitedly. I spared myself looking over at the people next to us. “The funniest! The funniest language!”

And our meal continued.

In addition to the Spit-Roasted Chicken flatbread pizza that was my usual dish there, I tried the “Risotto Tater-Tots”, tiny rice balls breaded and filled with white truffle cheese and some delicious garlic aioli.

They were delicious, but what more I can say about them, for the break in conversation they elicited, the people next to us seemed relieved.

***

THE PLAZA FOOD HALL

Risotto Tater-Tots w/White Truffle Cheese + Garlic Aioli- $8

Central Park South bet. 5th and 6th Avenues.

NR to 5th Avenue

***

BONUS-

Sometimes I use this area to plug things and I’m happy to do that today for some really funny stuff. Fellow film-schooler and current improv buddy Ben Perry has a pretty “dope” hip-hop group that you might have heard of called “Buckwheat Groats”. These guys are blowing up and they don’t need my help, but since I was the first comment on their new video on YouTube, I feel like I should at least mention it here.

It’s called “(Take U 2 Da) Shopping Mall” and, I should mention, my favorite moment has to be the “Hot Topic girls”.

Enjoy!


Happy Jew Year

September 12, 2010

I got this email a few days ago and I showed it to Chadd yesterday.

“Wanna see a preview of my new blog post?”

He was sitting in the corner of a small Alphabet City apartment, drunk, moody and uncharacteristically quiet, wearing an angsty Vincent Gallo t-shirt and so I thought I’d give him a little pepping up.

“Like I need one, like everyone should care.” Chadd told me.

But he did a double take when he saw it.

I had shown up barely announced to the cramped apartment with my best friend Frank and his friend Army Rob in tow, with a six-pack of Labatt Blue out of the sort of courtesy that one brings to a party in the form of beer or beer-like substances.

The main attraction though was a “Return to/from Russia” theme, espoused by the fur cap Bobby Olsen was wearing when I entered and the horseradish vodka shots, chased with mini dill pickles, that Dan Berk made us all take.

“I want to go to the vodka closet!” Dan declared after one particularly strong whiff of horseradish. “At these clubs around the city, you can go into an icy closet and there’s just a shit-ton of vodka and you can drink as many shots as you can take–30 shots, whatever.”

“Yeah, how much is that?” I asked.

“Nothing, it’s part of the club.” He replied.

And I nodded and chewed on my pickle.

Chadd looked at me seriously and tried to convince me that this was an augur that I should write a short film for Colin Quinn.

“Give him something he won’t expect, man.” He told me. “You’re good at that.”

I wasn’t so sure, about the idea or the script, but I took it.

Soon Chadd left and so did the rest of us. Frank and Army Rob were happy for the funny vodka, but complained heavily about the walking load of going anywhere from Alphabet City.

Army Rob wanted to try Karaoke for the first time, so I got him jazzed up with some pointers, describing to him my strategies versus the balladry of the other Ro-beardo Malone and how he belts out Celine Dion songs like they were covers by a one-Rob-Malone-band, but Army Rob not having Rob-knowledge, it was somewhat lost on him.

Planet Rose was packed full, though, of “bridge-and-tunnel” folks and the new place I tried, The Karaoke Cave (a Matt Chao rec) was also packed with 30-minute wait times on songs.

Frank and Army Rob went home, to Frank’s karaoke-less relief and Rob’s only slight disappointment.

For me, the horseradish vodka was enough to get me to bed.

***

Working in the movie theater lately has alternated somewhere between frustrating and fulfilling.

It’s always better when I have something else in my life, something to look forward to, some hope that this isn’t my endgame.

“I’m taking classes, somewhere, anywhere.” One of co-workers told me. “Because if this is the only thing in my life, I’d go insane.”

And while I reached a periodic low sometime last week, recoiling still from blowing my one audition, this week I had a good meeting with a manager, booked another audition and, most importantly, found a new video game to play.

I also gained some confidence from a writing group session which reached a good 6 or so people when I thought that no one would come. I made some revisions to a script, drank some good beers, and chatted about Mochi with a tipsy Emmeline Wilks-Dupoise while I escorted her to a dinner-date near by.

Andy Roehm liked my script so much that he ended up bugging me about it at work.

“Dude,” he began, in his usual So-Cal invocation. “I know those characters. I’d do justice to it, man. I’d do it right. You know it.”

It was fun being pursued like this, fun to know that people still like what you gotta say.

And it was funny seeing Andy say this, while wearing a black visor, preparing to clean a bathroom.

It was somewhere between feeling bad and feeling better that Mr. Quinn came by.

His show was over, so he must have lived the near the theater. He recognized me from an earlier time I took his ticket.

We chatted for about ten minutes, during the n0t-busy hours, about comedy, filmmaking, my posture (which he told me could be improved by “Alexander Technique”) and my favorite podcast, “WTF with Marc Maron”, which he said he was going to be on “just because you asked.”

“You’re the only reason I’m going on that show.” He told me and I probably blushed.

He solicited seeing my movie when I told him I was a film student and got back to me that same night.

It’s always a pleasure when someone like that is a decent fellow to you.

I guess working at the movie theater has its’ ups.

***

The downs, I suppose, came when I worked my first ever double shift: 17 hour straight.

It was going to be an event, opening and closing on a Friday. I told all my friends to come and see movies and drink coffee and soda and eat popcorn and candy: anything I could offer them for free.

Anything really, to have at least someone come and keep me company through what was bound to be a stressful period of my life/day.

As it happens, noone came. At least not to see a movie.

J.D. Amato came almost incidentally, as part of pre-show ritual of getting out the jitters through visiting multiple coffee shops.

Mr. Amato had amazed all my friends upon graduation college a year later than us, by landing a big corporate ongoing gig. Even though he wasn’t there anymore, he still seemed to be walking on air, producing shorts for the UCB’s website (which he created) and for Funny Or Die. In his “spare time” he also improved on teams, putting on shows in cool-sketchy venues.

In short, he seemed to have the sort of creative-artistic “progress success” that seemed to elude me and my friends, who found ourselves in various degress of “working in a movie theater.”

It was nice of J.D. to come though, and our talk precluded a long relationship we hav had now, playing Words With Friends on our iPhones.

The other person who showed up, was my Mom with two slices of Two Boots pizza, one my favorite, one hers.

It was a very nice gesture and one that I appreciated. So much, in fact, that that picture is all I managed to take of them.

The one slice, my favorite, the Mr. Pink, has marinated chicken, plum tomatoes and roasted garlic on an otherwise normal slice. It’s chewy and chicken-y and spicy with greasy cheese binding everything together, kind of like a streamlined chicken parm.

My mom’s fave, she was loathe to tell me about it, but turned out well, the Tony Clifton, which has Vidalia onions and wild mushrooms and some nice sauces.

I usually don’t like mushrooms and onions on my pizza (why my mom was scared to tell me), but really you just appreciate anything in that sort of circumstance and I warmed to Mr. Clifton quickly.

I got through the shfit somehow and went back to work the next day, still burnt, and somehow I feel like weeks later, I still haven’t recovered.

I celebrated Rosh Hashanah recently with my family and told my mom how much I appreciated the slices.

The next day, Eva’s Rochester-Irish father took me out to brunch and brought up the new year.

“Blessings on your face.” He told me.

“What?”

“I think that’s what you’re supposed to say on the new year.” He said.

I wondered if my acne had gone away.

***

TWO BOOTS

1 Mr. Pink (Chicken, Tomato, Garlic) and 1 Tony Clifton (Vidalia Onions, Mushrooms)- $7.50 (or free if your mom brings it)

Bleecker St between Broadway and Crosby St.

BDFM6 to Broadway-Lafayette/Bleecker St. R to Prince St.


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