And Now For Something At Least, Well, A Little Different

April 21, 2011

I’m tired of talking about girls.

Can’t we talk about something else?

I had some drama this past week and was down in the dumps at a passover seder, including a return to good-form vomiting and trolling the Magnet Improv Theater to see if there was anyone there who was down for some sad-sack friend-time (there wasn’t) and eventually after a late-stage Andrew Parrish bail (who wudov guessed?), I ended up with a 4/5th’s smashed Jonny-Jon-Jon Fostar who insisted both that I link to his Tumblr and that I mention that ” [he] hates white people.”

“What about Asians?” I asked as we waited for some whiskey-sopping sliders to come out from Pop Burger, while JJJ looked around disgustedly at the hipster “probably European” club-going crowd.

“Nah, they earned it.” He said, throwing his hand in something between a slap and a “come-on”. “Plus they own everything.”

I nodded at that one as we got our burgers and got out.

Walking down 14th, I took a look at his Tumblr, which I hadn’t seen before, which represented mostly a series of Webcam-taped rants juxtaposed against a series of animated gifs from late 90s TV shows.

“I get a lot of girls under 16 messaging me asking if I can make out. And then I say yes and don’t reply ever again.” JJJ said, half-tripping over an errant sidewalk tile on Sixth Avenue.

It was nice to know that somethings are different and some stay the same and in Jonny-Jon-Jon’s world all this seemed both plausible and a reminder that his strange rants about hipster-loathing sexuality seemed to make me feel better about my own relative sad-and-confusion.

Or maybe it was just nice to walk and talk with someone for a bit, on such a long day.

Either way, that’s that.

Now, I’ve lost my voice from four-rounds of stomach-acid coating my throat and while it stinks not to be heard, it’s nice at least to know for once that I sound a little more manly and gravelly, down from my usual octave of slight lisping and self-satisfaction.

In fact, I’ve been using the time to try to figure out how to write some sketches for the intro to sketch class I’m taking, which I felt like I was above and which I feel bad right now for not writing for.

It’s a good excuse to watch Frank Stallone (pictured above) on Tim and Eric Awesome Show, Great Job! to try to absorb some of their talent or at least some of their form through ocular osmosis in the morning procrastinating getting out of bed.

The structure I’ve learned is to derive sketches out of stories from real life, or things you care about, but I guess it still doesn’t compute in my head how to make the things that happen to me funny, other than just to tell them and see what people think. Maybe I’m so used to telling my stories one kind of way it seems inviolate to use them for another.

Or maybe all of this is just distraction from writing sketches. Or maybe both.

What I know is that I’m back towards feeling that whatever I’m doing must be adding up to something somewhere, that even if I go into a class with some crap, or aren’t funny in a scene or do some stupid stuff with ladies, I’m learning something, getting somewhere, I’m mostly not  just sitting on my ass playing video games.

And in the end, that counts for something.

Or at least it’s a pretty good excuse for watching more Frank Stallone.

Just a sec.

***

Since it seems like somehow this has become the place (since last week) that I talk about my strange interactions with famous people, I thought I might as well post this picture, not taken by me, of my interaction with Christine Teigen.

Ms. Teigen, as mentioned before on this blog, is a “supermodel”, which as far as my limited exposure to them merits understanding, means a “very, very attractive person who is so attractive and cool and stuff that people pay them not just some, but lots of money to be in things like ads.”

And while the whole experience seems somewhat bizarre, as connoted by the picture (especially with the thankfully not so visible stains on my shirt from where I tried to stem my tongue bleeding after cutting it on the inner rim of a can of Diet Coke), I really don’t have anything bad or strange to say about it.

Ms. Teigen wanted to take me out for drinks, with her cool Ozu-referencing friend Sybill. They bought me a bunch of drinks and I told them stories about my life while they said nice things about me.

It lasted about an hour, I was very flattered, she gave me a nice hug and I went back to a party where my life was vaguely the same: girls not noticing me, wandering towards the subway at somewhere between 1-2 in the morning and wishing that I knew which way my life went.

On Monday she sent me some very nice text messages and I sent her some back.

In our meeting, what most impressed me was just that she read the blog and liked it. That someone on that level of stardom actually cared and related.

I wish I had something interesting to say, but she just seemed like a nice person and I was happy to meet her.

But here, for all of you starved for a crazed celebrity, is a picture of Robin Williams who I saw do improv on Sunday night.

(You guys who I invite to come to ASSSSSCAT with me, really should come more often.)

Also, he didn’t seem crazy, he said hi to everyone who waited for him after the show and took pictures and stuff. Really a stand up guy.

Sorry.

***

When I haven’t eaten in the morning, few can escape my wrath.

Take my parents for instance.

They thought they were coming out to get lunch with me, but I told ‘em right.

See, I have hypo-glycemia, as I have explained on these pages before, a condition that causes me to get irrational and irritable whenI haven’t eaten for 7+ hours. I go through rapid moodswings.

So when my parents showed up a half-an-hour late for our lunch date at Thelewala with one of my best friends (Langston Kahn) unexpectedly in tow, I didn’t say “Hi Langston” or “So nice to see you guys, thank you in advance for paying for my meal!” but rather “Why aren’t you sitting yet, I bet you haven’t even looked at the menu.”

That said, once we sat down with the food, we all calmed down.

That’s because Thelewala, which just opened at a cursed MacDougal street location by my house, is one of the best things to have happened to the nabe food-wise in a while.

Proffered forth by the owners of Dhaba and Chola, two of my more beloved places, Thelewala actually advertises itself as “Indian Cart Food”, which I feel like 5 years ago anyone advertising themselves as “cart food” in a store would seem crazy.

Such is the effect of the chowhound and the cool food trucks on New York City.

As a family and whatever crazy-type of super-pagan friend Langston is (“My chi-healer told me he wanted to make a contract for me to work with the goddess of the moon, to unravel some of my intestinal chakras.” Langston told me recently. “Sounds hot.” I replied), we all got a smorgasboard of items.

Clear winners included the Tawa Chicken Fry (pictured above) one of their few curries, spiced with onion and coriander seed and served dry, along with their Thelewala Roll, which was a spicy and slightly more filling spin on the sort of Kati Rolls one might find across MacDougal at the ever-popular KR Company. Everything was easily under 10 bucks an item, and the only thing that was kind of a drag were the “Phucka” (try pronouncing that one and not sounding like an asshole), which were small mini-pooris which you could stuff with spiced potato and “tamarind water”, but which would have used some thicker-than-water tamarind as they’d just drip right through the shells.

Langston and my mom both plugged the Bhel Puri too, though I’ve had that good lots of places.

Even Dan Pleck came with me out on a return trip there, though he opted for a piece of Artichoke instead.

“Dude, let me get a piece of that chicken.” Dan intoned in a jealous dead-pan.

“You’ve made your bed now sleep in it.” I told him, settling down with some hot parathas.

“Well let’s just bite for bite”. And we did, an interesting combination.

Dan just biked away after, but we’d both be back and knew as much.

***

THELEWALA INDIAN CART FOOD (not a cart)

Tawa Chicken Fry w/2 Parathas- $8.00

MacDougal St bet. Minetta Lane and Bleecker St.

ACEBDFM to West 4th St

***

Also, for those of you interested, I’ll be on TV again next Monday, I think. I haven’t seen the episode yet, but if I recall, it’s a pretty emotional one.

Just sayin.


Subways and Other Ways

February 23, 2011

A strange thing happened to me between bars.

I ended up buying a beer for an NYU kid, the first time a “minor” had ever asked me to purchase liquor for them.

I had to say, I was amused.

“Is this adulthood?”, I thought “Moving from being afraid of getting ID’ed and caught to being solicited by others to buy beer at multi-ethnic groceries?”

Perhaps.

What led me there anyway was trying to maintain a solid buzz after a day of physically-easy, but soul-taxing work at the movie theater and a brief stop-over at bar to see Najia Dar and her cadre of post-test-partying aspiring doctors.

Najia, who had found new drive in the throes of med-school post-college  graduation, had been recently so busy that she couldn’t come out to see me and a fully bearded Rob Malone when we were in her neighborhood, at the Trader Joe’s downstairs.

So, when she invited me out, I came to say hi and because it was billed as some sort of recompense for her hermit-ude.

We met up, with her Texan friends already present, and everyone started dancing. 6 beers deeper than me, as I just sat at the bar, trying to figure out why the blond, British bartender had bought me a drink.

“You just smile and nod and leave a big tip.” One of Najia’s friends offered and it was a cue for a nice conversation with a member of the opposite sex, until she started to talk about her impending marriage.

I never did find out why that bartender bought me a drink, but I did leave a 10-dollar tip (“Good job,” the same friend told me.)

Soon the bar filled up with Najia’s doctor-mates, who I saw to my displeasure both were more educated and more attractive than me and wore on their faces the promise of a certainty of a profession and a life.

2 beers and a free drink in, I went walking, up past Washington Square Park and my old college, up University Place and to that old bodega.

Later that night, I would meet up with Jonny-Jon-Jon, who would later have a stranger start making out with him after he pinky-swore he was straight and then getting some late-night french-fries off the L train.

Right then, near Union Square, I was just trying to maintain my buzz, beat the day, beat my profession, beat my uncertainty about my future, just wanting to avoid the semi-hangover that comes on the subway ride to Brooklyn, between beers.

Looking through the fridge, I tried to find a tall-boy, a 24oz can, but they didn’t sell ‘em except for a can of the newly neutered Four Loko, which I had learned from malt-liquor experience, was not a good deal.

“Where are all the tall-boys?” I wondered out loud in the bodega and the tall, skinny fellow next to me echoed the same sentiment.

As I reached down for my can of Coors Light, he asked me to pick him up two Buds and I did, handing them to him.

“No, actually, I mean, I thought… I forgot my ID back home.” He stumbled.

“Oh.” I replied. “Ha.”

Then.

“Yeah, sure.”

Outside the deli, the kid gave me five bucks, when the beers cost four.

“Keep it.” He said.

I drank my sole beer on the L platform, waiting there to go out to see Jonny-Jon-Jon.

I finished it, in its brown paper bag, and tossed before I got on the train and had an extra buck to tip with when I got out to the bar in Brooklyn.

And that was who I was, right then.

***

On a packed Saturday, a crowd materialized around the Landmark Sunshine, a whole row just filled with my friends and friends of friends.

We all converged to see Jurassic Park on the big screen which, I was too embarrassed to admit, was my first time seeing it at all.

Andy and Matt Chao and I all met up before the show to hang out and find some source of food between conversations about Aubrey Plaza’s attractiveness and Matt Chao’s continuing/alternating insistences that he would either make a movie or buy a piece of property or both (“Or just get rich!”).

Rob Ma-Bro-Ne, for his part, brought a large contingent to the show including Ben Oviatt, Jason Chan and the Pennsylvania-imported Dickerson Bros, Malone’s fabled filmmaking brothers who feel like they could be Mario and Luigi in non-Halloween situations.

We all got kinda fucked-up for the occasion, as would befit a midnight screening of Jurassic Park, but Rob was in full form, yelling out not just lines from the movie at the screen, but observations including one about Laura Dern (“She’s so great! I can’t believe they ended up together.”) and conversations re: Michael Crichton vs. Stephen King (“Michael Crichton, much greater than sign Stephen King” Rob replied.)

Disaster was narrowly avoided when Rob began going off about the superiority of “The Lost World” (the book sequel, not the movie) and a good time was had by all.

I even tried to sneak in some flirting with the hippie-ish manager at the theater, who appreciated my comment at the box office that I wouldn’t call her by her name since I think it’s inappropriate when customers do that (which was actually an observation lifted from my stand-up). It got a smile, but eventually I was drawn too much into the film and the aftermath.

Matt and Andy and I all snuck sandwiches into the theater from Katz’s and rejoiced at samples and the combination of piles of meat and dinosaurs.

At one point, Rob started singing the theme song to the “Dinosaurs” TV show, in an impromptu karaoke-balladry rendition.

It got laughs from the audience and when a woman complained about the noise, she was booed into submission.

Justice, by crowd.

***

Monday was almost a disaster, for the pressure I put on it.

My life had been winding down recently, with classes ending and no auditions still and my attempts to invite a broad swath of my former associates and classmates to invigorate my writing group.

Instead, I ended up with a familiar string of text message excuses, sitting at Sophie’s alone, 12 minutes in to when everyone should have shown up.

What saved me that night, looking into my beer, were two things, well, two-two things.

The first two things being Alex Hilhorst and Keith Haskel, who had never met, showing up to the bar soon after willing to fuck around and talk and read a 1.5 page sketch-rewrite I had to show them ad they bonded slightly and we discussed The X-Files and even more of Hilhorst’s short career as Pee-Wee Herman’s assistant, as well as Keith’s MTV-Adult Swim comedy background.

The other thing that saved me were a couple of secret tacos.

I discovered the place on an artificial side street, tucked at the end of an alley, invisible to those not looking. “Oaxaca Taqueria” read a sign draped at a dead end. I walked in and was in luck.

It was Taco Happy Hour.

The tacos I got were Stewed Chicken, though there was a Mole special (which I later tried) and a Potato/Poblano enchilada I would have liked to get my hand on. The tacos were unusually large and full of unusual flavors for NYC-Mex, from the sour pickled onions to the salty salsa-verde which contrasted to the red-sauce the chicken was stewed with. For 4 bucks, they were well worth the price.

Leaving Sophie’s, I brought Alex and Keith back there for an encore and they were duely impressed.

“How did you even find this place? How would anyone?” Alex asked.

“You just go lookin.” I replied as we luxuriated in the half-lit grunge-splendor of the taco bar.

Later, I walked Keith home asking him for tips on online dating, which spilled over into the sort of ex-girlfriend-y sadness it seems like I can’t write a blog post without nowadays.

Suffice it to say, when you’re together with someone, in some way, you’re never alone.

I’m not sure when I’ll feel that again.

But I’m glad Monday, I didn’t feel that, alone with my beer.

***

OAXACA TAQUERIA

2 Stewed Chicken Tacos w/fixins- $4.00 (during Taco Happy Hour, 3-7 and 10-12)

16 Extra Place (off 1st St bet Bowery and 2nd Aves)

F to 2nd Avenue.

***

One more thing:

I’ve got a couple sketches in a sketch show over at the Magnet Theater on Monday, March 7th. Normally, I don’t invite a lot of people to these types of things, but I’m really proud of the progress I’ve made and I’ve received some really great support/feedback/laughs on these sketches. More than that, I’m working with really great performers who are super-funny and really sell the material, as well as some old friends who might make their sketch debut.

If you have some free time, it’s free, and I bet it’ll be pretty funny. I would certainly appreciate anyone who would want to come.

The link to the facebook event is here.

Love,

Nick


Stood Up

January 19, 2011

I posted this picture to my dating profile the other day.

I had only recently gotten back this sweater, one given back to me when Eva had come over for our talk a couple weeks back now.

I hadn’t had occasion to wear it, in the morning tussle that usually started with either writing or pulling myself together for work and ended, largely, with wearing the same clothes I did yesterday.

But it was a Sunday night and I felt like maybe going out and my green sweater smelled like beer anyway, which is the peril of going out in sweaters to bars in the wintertime.

I had always thought I looked good in this sweater though, a real cashmere affair that was given to me by either my mom or my grandma. Somehow, I felt skinnier in it, felt I looked cooler in it, somehow felt like it made me more attractive or more put together. I’d imagine that much of that is the belief as opposed to the wear, “the man not the clothes”, but whatever gives you confidence is probably worth taking some note of.

My online dating profile got this picture because I still had big hair on the picture I had there and I hadn’t heard back from the girl I’d gone on one good karaoke date with, so I figured, “on to the next one”, as it was and that I’d have to be looking my best to try to attract the ladies.

I wrote a bad sketch which I was proud of writing (since I wrote anything at all) for my Saturday sketch class and it died rightfully in the class, but the sketch in my Wednesday class went over well, which was almost harder to take. It was a fake commercial for a pill called “Ex-static” which “triggers off that unique blend of sadness and arousal” brought about by thinking of your ex to provide a shock to one’s testicles, as a sort of Pavlovian method for break-up redemption. The premise, which we are required to read at the end of all of our sketches, was that “guys who talk about their exes all the times bring everyone else down and should be treated like dogs or goats or something”. I believe that was it, verbatim.

I’d like to say I’m not sure where that leaves me, but I’m pretty sure I do know: in a puddle of barely disguised self-disgust.

“Shouldn’t I not be feeling this way, 2 months out?” I asked my therapist, in the increasingly interrogative tone of our sessions.

“A year out, I might say that’s a very extended bereavement period.” She replied. “For now, I’d just say, you really loved her. How you feel is how you should, for that.”

I find myself reaching every day towards Eva, her popping into my mind, in the blank moments of walking or waiting where I would reach for the comfort of her love, of my love for her, confirmed or returned. It’s when I shunt these thoughts away that I go online to try to find people, that I feel compelled to make a connection.

I need something to fill that gap, so I’m not just reaching for what’s not there.

I felt good wearing that sweater and good about the picture. My hair’s looking ok on a day-to-day basis.

I’m not smiling there, but I don’t know if that’s ok. It’s hard to put yourself out there like that, talking to people you don’t know, pitching you.

Why should I be smiling, for the thought of that?

***

I tried stand-up for the first time last night and I wish I’d had someone take a picture.

They put me on second and I think I did pretty well.

I’d been seeing stand-up shows for a while now, the free ones at the UCB and people had often told me I had the right personality for it, a thought only countervailed by the many “wannabe-stand-ups” I had seen in my time and at open mikes. It was a profession that seemed, if possible, more painful than “wannabe actor” a position I found myself somewhat in the role of, after mocking it for my whole film-school career.

I texted a few people to come out and support me, the opposite of few-times quasi-roommate John Beamer, who shied away from anyone but me coming, so as to not have that social pressure.

I, on the other hand, am a multi-dependent mess and I appreciated the company.

Zach Weintraub, Andy Roehm and a surprisingly supportive Jonny-Jon-Jon Fostar all came out to see me and sat through my 3-minute set and everyone else’s at the PIT’s Tuesday open mike.

Robert Malone and his beard were notably absent, later telling me they was too busy “watching Snake Eyes on the couch with roommates”.

It was nice to see Andy there, since I felt like the more I worked with him at the Angelika the less time I had to be friends with him and Zach, who one of my coworkers hit on the last time he came by my work, was notable for showing up after a series of “maybe-no”s to other plans I’d had for weeks.

Jonny-Jon-Jon though came early, talked through a bit of my set with me and kept giving me reassurance, even laughed at all my jokes from the back.

“Would it be better if I fake laughed or just tried to laugh anonymously along with other people?” He asked.

“Just do what’s in your heart.” I told him.

To which he replied: “Right, nothing!”

“Hello, everyone. I’m Nicholas Feitel, it’s nice to meet you.” I said up there on stage.

“I should just say, I’m not a stand-up. I’ve never done this before. My girlfriend was an aspiring stand-up. And, uh. Then she dumped me. So. Here I am then. Good for you guys, I think.”

That got a good laugh, which was nice because I thought it was funny, practicing it that morning in the movie theater box office, but I couldn’t really figure out why.

My set was only 3 minutes, but I had a fair amount of laughs and I beat my “1 solid laugh” expectation that I had been holding. By the end of the night, I was trying to not to be pissed I didn’t get nominated for the “best joke” award that came with a free beer, just trying to remind myself it was my first time.

“I was solidly depressed by it!” was Jonny-Jon-Jon’s review as we walked out of the PIT. But my friends all backed me up and said it was good.

We all ended up walking for a while as Jonny-Jon-Jon turned off first, to undisclosed locations, Andy talking about projecting at the movie theater, before hopping on to the L. I had the longest time with Zach, while we discussed his own girlfriend, a Michig-onian named Jenny, who was pretty cool, but was now in Kalamazoo for two more years, while Zach was bound to Argentina in three weeks.

“I’m a little hesitant to say this, given past accusations.” I said. “But did you guys discuss this?

“No.” He said, but in the sort of optimistic way I couldn’t help but admire while judging it for stupid.

In the end, the last stretch. I walked home alone, trudging in boots, video-game system in hand.

The decision to try stand-up hadn’t come with much pre-meditation, or long thought or a career choice.

It was more just feeling like I wanted more to happen in my life.

It’s nice to know when you feel that way, that they’ll be more people onboard.

***

I had lunch with J-Sam Bakken the other day, whose been dating on-and-off with more success than I have.

After all, he plays the guitar and teaches children.

He’s a regular Raffi or Mr. Rodgers or something.

We met at Torrisi Italian Specialties, a place I’d been before, but was suitable for an inexpensive lunch with sit-down elements and no tip required.

J-Sam was excited to try the place, but he also was grilling me for tips on an improv comedy mini-curriculum he was planning for his inner-city 6th grade class he was going to teach.

“It’s pretty simple.” I told him. “It’s just like conversation, agreeing with people and adding what you have to say. That’s what improv is, the same way.”

While I didn’t know if I was the best person to explain it to him, I at least went through some of the structure of the things I’d done in shows and classes before with him, while waiting fo our meals to come.

J-Sam got, at my recommendation, the house-roasted turkey, the shop’s specialty, which is probably the best turkey sandwich I’ve ever had, beating even Katz’s. I tried the Eggplant Parm, alone, no bun, since they only had it in the winter and I’d already had the Chicken Parm and the aforementioned turkey sandwich.

We both got a side of brussel sprouts.

The eggplant parm was surprisingly excellent. “Surprisingly, you say?” a reader might ask, but I don’t look to eggplant parms as a real solid meal, more like a delicious appetizer before a bowl of pasta, as I’d had it in Italy.

But this eggplant parm was made like lasagna, layered with delicious fried eggplant and mozz and sauce, and doled out in hefty slices, that gave it a textural interest, like a casserole.

J-Sam was jealous. “I’ll get more of that next time.” He said enviously, as we swapped small bites of our food as I’m oft liable to do with fellow eaters.

The brussels sprouts were good, with red onion and a parmesan-like cheese, but lacked the toasty warmth that would have made them excellent.

“It’s all about getting people to agree, to not be self-conscious.” I told J-Sam. “To just let loose and accept what they’re going to do, without self-criticism.”

“And look how well that’s worked for you.” J-Sam said, un-ironically.

“Yeah.” I replied and finished my food.

***

TORRISI ITALIAN SPECIALTIES

Eggplant Parm w/side of Brussels Sprouts- $14 (Winter months only)

Mulberry St. bet Prince and Spring Sts.

NR to Prince St. 6 to Spring St.


Three Nights, Four Lokos

December 21, 2010

My improv show went pretty well, considering this is what I ate before it.

I blame Riese Restaurants or Penn Station, or my personal guilt/predilection of attempted remedies for the stomach pangs that proceeded my improv performance.

Isn’t it the same principle of white noise, covering up one sound with another, one pang, too?

The show went pretty well though and with minimal farting (which yes, is uncomfortable in improv scenes as elsewhere).

This meant something to me because, like I said, I felt pretty bad about how it was going to go, given that I considered an improv class a success if I had one funny moment in a 3-hour class and that there were many classes in which I was not successful.

But even given my pessimism, it went well. I felt funny. I was gifted with good things to do in my scenes, like reconnecting for Thanksgiving as a Disney-adapted blue bear from the jungle book with my adopted son Mogli, or playing an anthropomorphic fox who steals housing materials and tells people to “go to heck”.

It was good I felt funny, because I had a mission for that time: I would get a young lady’s number from my class at the inevitable drunken after-party of the class show.

And funniness empowers me, gives me confidence in those situations. Since, at least if I’m funny, I’m selling myself on something right?

I’d go in to the party and get her number  and ask her if I could hook her up with some free movie tickets or karaoke, anything that was better than just saying “me”.

I had confidence, I had reason to hope. I went in there and I tried.

***

I thank Rob for staying with me that night, for a while and Jonny-Jon-Jon, who’s reappeared now in my life somewhat, for not only seeing the show and complimenting me on my performance, but not making fun of me on my taste for the girl I was going after, a problem once upon a time.

“What’s he doing now?” Chadd asked me as we walked dejected from a half-assed sold-out attempt to see Tron.

“I donno.” I replied. “Something Jonny-Jon-Jon-ish, like something about Mexico and making animated .gif files of Saved By The Bell characters.”

“Sounds about right.” Chadd replied.

What happened after the show was just that I got really drunk and had to bring my own beers to an apartment which was beerless, to get the party started.

I felt something wrong from right after we got out of the show and even though I had a nice time and garnered a couple more compliments, the line I got was something about “busy for six months” and a comment from Rob that I sounded “beegy, toward the end”.

When I tried to explain this to Chadd, the night after I gave him the explanation I gave everyone: “I’m not upset she wasn’t in to me, I’m upset that I couldn’t tell, that I’m crazy, that I’m creepy and creepier and just can’t even see that they don’t like me.”

To answer this, Chadd actually gave me a really heart-warming story (“Why do you always depict me as such a misogynist?” Chadd asked before stopping to add: “Wait a sec. Never mind. It’s probably good if girls think that.”) about being misunderstood and trying for love, but I won’t repeat it here, since it ain’t my story to tell.

Suffice it to say, he convinced me it’s hard on all guys to tell how a lady’s feeling and not to try to beat yourself up too much.

Back on the night of the improv though, that’s what I did mostly. For the rest of that evening, Rob adopted me, taking me around to pizza places and bodegas in preparations for  a party that feel through, but which served me up my first ever whole Four Loko (lemonade flavor), a drink now banned partially by the FDA for its narcotic effects.

And to think, I felt cool drinking Sparks back in the day, which Jonny-Jon-Jon would refer to affectionately as “Spraking”.

Kids.

Still, it made me drunk and euphoric until it didn’t, as did the shot I got at Ashna Ali’s discovered workplace, LP and Harmony, over in hipster East Williamsburg, where she bought me a shot and held on to my hat after I left it at the bar (thanks Ashna). Jonny-Jon-Jon even showed up, possibly out of some sort of spirit of free drinks and possibly out of some sort of friendship impulse.

I left him my second Four Loko anyway, undrunk, so whatever it was he wanted, I bet he got it.

The rest of the night after Rob left to meet a lady to see Showgirls, I spent crying on the L train, over-and-over and down Grand St, asking myself why Eva wouldn’t love me when I loved her with everything I had and why she lied to me when she said that other girls could love me, that someone could see me like she once did too.

Not proud moments, but just like if they happened that night, then they were coming, it feels better to confess them now and distance myself from them, at least the best I can.

Rob had a let-down moment, after the improv party too, where a girl from my class stroked his beard affectionately, before telling him she had a boyfriend.

“The good strokers always do.” Rob commented wistfully, while we ate pizza.

The next night with Chadd, he got me nice and drunk and buzzed over at his apartment watching Videodrome for my first time and his seventh and he even explained it to me after and was nice enough to not make fun of me for the couple times I fell asleep.

The movie was awesome and, like Rob, I appreciated him hanging out with me for a while, listening to my bitching and offering me some hospitality.

I thought about the same questions going home that night too. But I didn’t cry, or at least didn’t remember doing so.

I started playing a new video game instead.

***

The night I hung out with Chadd, I had several dinners, a result of a few incomplete ones and a double-botched order at a Mexican restaurant.

This was probably my 3rd or 4th, but easily the best.

I went in to the restaurant, lured by the promise of a 5 dollar Falafel, French-Fry and Soda combo but stayed for the heavenly, broth-y scent I found within.

What I ended up ordering were Chicken Brochettes over couscous, which itself came with mixed vegetables, cooked in some spice, with salad on the side.

The salad was garliky with tiny, pickled olives popping flavorly next to some fresh-cut red onion. The “brochettes” were tender and juicy without too much spice, most of which was derived from the delicious vinegary hot sauce and tahina which was provided on the side and poured on in full. As for the cous-cous, there’s nothing much to say. Wonderful.

Rice? Who the fuck cares about rice anyway?

Cous-cous, all the way.

My only regret was eating it all in front of Brennan McVicar and his lovely girlfriend Vanessa (as well as Dan Berk and Chadd) and offering none of it to any of them, which made me feel really bad after Vanessa gave me mini-Santa gingerbread cookies her mom had made and invited me to loot her stash of Ghiradelli chocolates.

What can I say? It was that sort of night.

***

Tonight, I spent, after running around, trying to learn how to thread films, with my favorite playwright of the current generation, Annie Baker, who through improbable chance, had ended up at my movie theater, doing research for a play about people who work in a movie theater.

A mutual friend had delivered her to me, thinking I was the right sort of guy to talk about that stuff.

My bosses were real nice, letting her walk around and ask questions, though I felt like I’d get shit for it later.

As I told her about the theater, I told her the story of my life, from high school onwards, which she seemed somewhat interested in and I hated myself for, the narcissist in me who needs everyone to know who he is at all times.

But she was rapt and listened happily and redirected the conversation when she needed to do, for me to show her how to sweep a theater, mop a bathroom, or handle a mean customer.

She told me if I needed anything to email her and told me I should keep making films.

That the people who she knew successful at my age were mostly burn-outs, that it’s when you feel crappiest about your art that it’s possible to break through.

It was inspiring stuff.

I felt like I was pitching a role in her next project.

But as I walked away and back to my house, I just kept thinking about how my relationship had sat on top of my own discontent about my life.

And how in some way, crying about it, was a way to not cry about other things too.

When I got home, I sent her my movie and got ready to go out there, for another night, again.

***

BAB MARRAKECH

Chicken Brochette Platter w/Mixed Vegetable Couscous and House Salad- $8.00

10th Avenue bet. 47th and 48th St.

CE to 50th St. NR to 49th St


Downtimes, Pressure-Cuts, Virulence and Humps

October 2, 2009

I can rest in the fact that no matter how far I sink in my life or how much I accomplish, to someone, I will always be “that kid who writes for that gay magazine”.

It was the second time the filmmaker Harmony Korine had called me such an extremely public forum, the first having been an “Apple Store” reception for his previous film, Mister Lonely.

This time it was at a Q+A at the New York Film Festival, interrupting a question I had asked, rather stupidly, about the connection between Korine’s new film Trash Humpers and Waiting for Godot, the play by Samuel Beckett.

“Are you that kid who writes for that gay magazine?” Korine asked me.

“Dunno, you that guy who gave me that fake interview?” I replied.

Dennis Lim, a film critic for the Times and Voice who was also the interviewer, adjusted his glasses not knowing what to think.

For those of you who want some vintage Feitellian criticism, here is the original article, pulled from the artist’s website, which was just basically Harmony Korine feeding me a bunch of bullshit as I wrote about my personal connection to his work. It was a pretty good article for me, one of my last for the place I used to write.

And as a point of reference, it was a gay newspaper, not a magazine.

Still, it led to some funny jokes as Korine summarily dismissed my question, which seemed to puzzle Lim as well, after recognizing me and moving on.

Afterward he was nice enough to say hi to me though he never watched the DVD I’d given him over a year ago. Ah well. He asked if I had another one that he would take a look at it, but I was DVD-less and his BFF David Blaine was there to hang out with them.

Overall, that was a good night, as nights at the New York Film Festival Student Rush Line often are.

I managed to get tickets, showing up early enough, while observing the people around me.

Inspired by the crowd, I sent what was the first communication to Jonny-Jon-Jon I’d sent in a month which was something along the lines of:

“If you are looking for atttractive/willing hipster girls who might dig your aesthetic, might I suggest the Student Rush line for Trash Humpers?”

No reply, but later Chadd and Bryan of the Last Pictures crew showed up to pick up some Mexican food and wait in line with me.

By the end of the evening and the performances, as we headed out past obsessive Blaniacs, hording the magician for an autograph, the three of us had our own takes:

Chadd hated it for Korine’s bullshit, Bryan thought it complimented his mild buzz and I thought it was Korine’s best movie, a meditation on American/Midwestern pointlessness.

One thing was for sure, by the end of the evening, Chadd and Bryan weren’t too happy with me.

Since I was blowing nose near them, the entire evening.

***

Whenever I get sick, I try to write it off for a while.

“Allergies.” I think. “A sore throat.”

Whatever I had, it wasn’t swine flu, which I had had this summer and which was discernible via the achiness one experiences throughout their body.

No, the days just drag on as symptoms persist with mornings offering hope of recovery, stifled candle-like by evenings, thick with mucuousy goo.

I went to a seminar at my internship today only to have to get up every 10 minutes to run next door to the kitchen to grab a paper towel (with both hands, otherwise it won’t come down) to blow on vainly, to temporarily open my nasal passages and rid myself of anything egregious that will probably just regrow itself in minutes.

Not a good thing to do around a Co-Executive Producer.

But I came in sick a bunch of days to work this week, because I actually enjoy my work and I feel like I’m making enough of it, sitting down to talk with crew members, people nice enough and generous enough with their time to indulge a questioning dude such as myself.

Something I keep on hearing is something that still the most difficult thing for me to do, which is to take seriously the most menial of the tasks I am assigned.

Restocking a refrigerator or straightening up a kitchen might not seem difficult, but knowing what and what not to recycle can prevent embarrassment in front of your boss.

Sniffling all the way doesn’t help, but I’m motivated, thinking at least I’m doing something, at least, at least.

***

One thing my work and my outside life have in common though is the pressure to get a haircut.

Getting one is a process of pushing past procrastination for me, complicated by the fear that my hair will never grow back again.

I tend to find semi-legitimacy in excuses that I discover for not cutting my hair: I’m in a play, I’m in a web video, people find it funny or remarkable.

The last bit is important, because just like my demeanor and my attitude, my hair feels like a signifier to me, something that makes me uniquely me.

It’s how Dan Pleck found me on the subway the other day, how Harmony Korine recognized me, or Aviva, on the night I met my girlfriend.

That said, there’s such a thing as too much hair, that clouds my vision or obscures my face.

“Eyes.” a fellow said at my work the other day, as I showed him what I planned for the cut. “I just realized you have eyes. It was impossible for me to tell otherwise.”

But then again, growing my hair is an indulgence and cutting is giving something up, leaving something behind, growing up again, in a small and most insignificant way.

When I started my relationship with Eva, still nascent, I worried that the fulfillment inherent in that would turn off inside of me the basis of my writing: complaints stemming from my own ineptitude.

But mostly what I’ve discovered, is that in shelving that section of my creative inspiration (that is: single unhappiness), I’ve discovered all the other things in life I can still complain about.

(Like being sick.)

(Or getting your gay publication you used to work for mixed up.)

I guess the moral is to have confidence in myself, who I am and my character, that I’d be recognizable and still me without the ‘fro.

But it’s a leap of faith.

And as Jonny-Jon-Jon once told me, “you don’t do leaps of faith, you do rope ladders from the roofs of flooded houses onto rescue copters.”

Articulate, if nothing else, I suppose.

***

For the first time in a while, what with the heyday of my internship, I find myself with something unexpected: downtime.

Which, again was something else that used to motivate this blog.

With four days of work a week, plus a wonky compromise for the fifth, I thought my days of bored insanity behind me.

But with job interviews, festival applications, unanswered emails and video games yet to be completed, I should have known better.

There’s always a downtime-in-waiting.

And so, I return.


…And I Knew That I Should Start Writing Again When My Mom Left A Comment To That Effect On My Blog.

September 19, 2009

My mom reads my blog.

Have I mentioned that before?

My dad does too, but he’s sometimes a little more discreet about it.

Or at least, he likes to comment on it in person, in a wry self-deprecating manner as in “So are you sure Eva isn’t your ‘not-girlfriend’, har-har”, as opposed to my mother, who leaves comments on my post like:

“Great job!”

and

“Another well-though-out post! I am so proud of your writing abilities!”

To be fair, such things are not pure embarrassment/mortification.

I should be thankful for a doting mom in some ways, since I am aware of the alternatives, from friends who talk about their parents in past participles to the ones who think “twittering” is a sound attributed to certain avians.

It is a nice thing to hear some encouragement from time-to-time, as well as in some ways, a wholly expected thing from a well-meaning-but-over-bearing Jewish mom.

But it always makes me groan and sigh a bit (i.e: saying the words “groan” and “sigh” out loud) when I check my phone and tell my friends, whoever around me, that my mom just commented on my blog.

Then again, those actions might be appropriate for most things that happen in this forum.

So maybe, I just shouldn’t sweat it.

***

A showdown, recently.

Mexican-style.

Or more like Hipster-Williamsburg-style.

Or Post-Hipster.

At work one day, gathered around the conference table, biding our time, one of my fellow employees, a recently arrived out-of-towner, described how she now lives off the Bedford stop in Williamsburg, to which we all replied with raised-eyebrows-comma-rolled-eyes.

“Hip.” One person said.

“Really hip.” Another.

“Benn to any Yo La Tengo concerts yet?” I asked.

“Actually,” She told us. “It’s not even a hipster neighborhood anymore.”

“Well, what is it?” I said flatly.

“It’s, well, post-hipster.” She described.

“It’s like all the hipsters who lived there five years ago left and now the people showing up are people from all over who heard about that it was a hipster neighborhood and who want to be hipsters but aren’t.”

We all took in this description and it sunk in.

“Wow,” I told her. “Apt.”

And there I was, a few days later for a friend’s going away party, in that “post-hipster” neighborhood trying to figure out whether I belonged as a hipster, a post-hipster, a faux-hipster, or just a guy with unceremoniously long hair.

Anyway, I was with Eva, my girlfriend, so the evening was mercifully light on these sorts of contemplations and more heavy in the “stopping ever half-a-block to make-out” department (Yes, I did mention that my parents read my blog.)

In recent days, Eva and I had been trading anxieties about our relationship, with friends simultaneously complimenting us on our new-found happiness and turning a suspicious eye to the alacrity of our affections. Personally, I was most comforted to find out from Eva that we both shared a deep-seeded fear that both that we would lose what we had together and that even if we did stay together, it would be the death of us artistically as writers.

As I walked down the street today, I realized that my perspective on being artist was formed by the book and later the movie of Roald Dahl’s Matilda, about a young girl who smart and intensely stifled develops amazing powers of mental acuity, which she loses upon the happy ending of the book.

For me that book was tragic, because I felt I was living at that age in a stifling hell, but that if I ever got happy, then I might lose something.

The whole thing seemed a metaphor for artistry, one of the dark messages embedded in Dahl’s children’s books and a message I took on, like many messages and commands we hang on to unconsciously from childhood.

But here I am writing and maybe it’s time to grow past that story.

And so much to tell, anyway.

I spent that night, like I said, making out with Eva as she finally got to have her showdown–as Jonny-Jon-Jon arrived at the bar.

He spotted us making out, like bandits in a dark corner and came over.

I introduced him and, as expected, he responded with some witticism.

“Well, you shore know how to pick him Nick.” He commented.

And Eva, bizarre and wonderful, having heard all of the stories about him from me, just laughed at him and stared weirdly as she stuck her tongue in my ear which caused me to make a sound like “Brrrr-oo-ooh!”

Which successfully won her the showdown, as Jonny-Jon-Jon, unable to pick off/mock or try to fuck the girl I was with, went to go find a girl who would react more kindly to his intoxicated state.

Knowing him, I bet he found’er.

But I had my girl, already.

***

Opening night was this past week and it was really, like most other nights.

I feel I gave one of my most intense performances, the one where my character, often played as a goofball, got serious and tried to con the con-man.

I played him exasperated and intense, a feeling motivated by a need to “step up to the plate” or something when pressure is applied to me.

I don’t feel I’m doing the sensation justice, other than to say that I feel a burning sensation, a tension or a boiling, when faced with something I feel is momentous and I try, or something more than my conscious mind tries, to do it justice.

As I ran around the boat that’s my play-thing though, I noticed my sister who greeted me during the show in-between scenes but who I did not converse with.

When I saw her later, it was walking out of a scene to take a couple phone calls, which I saw her do in full-view.

Later, during one of my lulls in the show, I talked about how charged I felt by the night and the energy and how the audience really seemed to dig.

“I haven’t even seen anyone leave.” I told my fellow actor, a curly fellow named Brendan

“I saw one person leave.” He told me.

“Bathrooms?” I asked.

“The other way.” He told me.

And in the pit of me I knew it was Cecily.

When I saw my parents and my grandparents waving to me as I went to get changed, she was gone., a spot on my night.

Days later, I would call my parents and complain about her, ask how she could take phone calls in the middle of the play, how she could be the only one to leave, how she could upset me on my opening night, but I realized that just as they hadn’t been able to give me answers for the last 7 years about her, they couldn’t give them now.

I confronted her on the phone about her behavior, her lack of sobriety, how she’d been staying out late and hanging with the same people she did before her conviction, before rehab.

“I’ll go to meetings. I need structure in my life. I need a job. I don’t have any friends.”

“You said you’d go to meetings three weeks ago and self-control comes from you and if you want structure go volunteer somewhere. If you want friends, go to NA.”

“How could you do that at my performance. How could you think that was appropriate?”

“I was having a bad night.”

“You seem to have a lot of those.”

“Is your girlfriend going to help me get a job?”

“I don’t want her to help you.” I replied. “I don’t want her to stick her neck out for someone who I can’t trust.”

“So you won’t help me then.”

“It sucks, but I’ll help you when you’ll help yourself.” I told her.

“Call me when you think you can be a functioning sister to me.” I told her and hung up the phone.

That was a few days ago.

The reviews came in later, from Variety and Time Out New York and they were both very good.

I don’t know how good I feel about it all, but as they say, there’s one more week and the show–

Well, it goes on.


Additions and Subtractions

July 25, 2009

A couple updates to my blogroll:

As much as I despise them for taking my friend Beardo (now beardless, thus via Zach Weintraub, “Chin-o”), Rob asked me to put up their movie blog on my blogroll while they are filming. Their film, an indie no-budget feature is called (unfortunately) Land of the Lost and follows some adolescent youngsters as they head off on a road trip to find out, well, something about what people find out when they head out on road trips. Zach is best known in these parts for his erstwhile mumblecore web series “Couch Potatoes” he effected with my other friend Jesse Fisher. Zach is a tall Jew with an interesting artistic sensibility and a good voice for singing Poison on Karaoke nights. I wish him well and look forward to seeing the movie somewhere around.

Also, I’ve added friend-of-the-blog Jason Lee’s blog up there too. Jason is known around as a “cynical, glasses-wearing Asian” who is reportedly anti-Armond White but pro-Twilight and also was challenged in these pages to have an emotion off with J.D. Amato and/or a robotic showdown with White.

He’s also probably a better writer than I am and his dispatches make up a visual survey of his time spent in Iceland among things too glamorous and downtrodden to describe here. It’s worth a read, especially if you’re a depresive artist-type considering your own trip eastward to Europe.

As for removals, I’ve taken off Beardo’s Blog, since it was mostly a beard-bortion and Jonny-Jon-Jon’s blog since he’s spending his time nowadays “downloading 25 hours of archival footage with which to make a movie.”

Have fun.


Friends: A Tragedy in Parts

July 18, 2009

As I clutched my last 24oz Coors Light Tall-Boy can in my hands, I was witness to a sight I’d rather wouldn’t have seen and which I did see for too long a time.

A girl I had just made a “date” with sitting in a young man’s lap in front of me perched between his crotch and his leg, stroking his neck while playing with his necklace, occasionally contorting to kiss parts of his upper torso. In retrospect, it almost seemed more like an absurdist performance, something like out of one of my movies than out of my actual life.

And the young man whose lap my (now former) date was sitting on was none other than my best friend from college, Jonny-Jon-Jon.

Ironically, we were listening to the Human League.

Or maybe not, Jonny-Jon-Jon has a sick sense of humor.

But as I sat there, taking in this spectacle, I moved, intractably for the evening, inward, trying to examine exactly how I might have gotten here and where exactly I fucked up so bad.

***

My other best friend from college, the second one I ever made was a guy named John Weeke.

As I often recount, I met John Weeke my second day of college on an NYU-sponsored tour of Chinatown. We must have been destined to be friends back then or at least the result of good planning by the NYU Freshman Welcome Week committee.

We were both there to see if we could scam good food off of NYU, we both already knew Chinatown. We both admired video games and anime–to lesser or greater extent: John was obsessed with the works of Miyazaki, while I had a broader range of anime interest that encompassed but didn’t stop with the Master. I talked a lot, walking around Chinatown, John talked a little. I admired him for his thoughtfulness, he msut have admired me for my freedom and goofiness with words. What’s more is that in him I saw someone close enough to myself, yet different enough, that I could aspire to the good qualities that he had, that I could learn something from him–and maybe him from me.

We spent Freshman year in a haze of acrid smoke, smuggled beers and lengthy (psuedo)intellectual conversations, held sitting in the pathetic prison block dorm rooms that were assigned to us as freshmen. Eventually, John accrued what we called “the harem”, a group of women who were all pretty interesting in their own way, who all were united by a common cause: wanting to fuck John. I marveled endlessly at this phenomenon. “I hate to tell you this, John.” I would tell him one day, trying to riddle-me-this, over a walk down to Gray’s Papaya. “I hate to tell you this, but you’re just not that much more attractive than me, no offense. How the fuck do you have all these women on you?” But John would shrug and say little. Maybe a lethargic “I dunno” to complement his slightly-stooped tall-and-curly gait.

Fast-forward to recently, John and I had fallen out of touch.

As was the plan, thought up upon meeting, we had complimented each other well in film school. We held parties, we lived together, we collaborated on projects. At least two of my films (The Big Night and I Wanna Hold Your Hand) were co-directed with John, a result of both my admiration for his sense of aesthetic and my terror of facing the lack of my own. He was always around to throw ideas off of, to talk about baseball, to want to catch a few beers or a good bottle of wine. After Freshman year, we decided to move in together as roommates in Carlyle.

But there were problems as there always are. John was always short on cash and he sometimes put me in a tough spot, allowing me to pay for things that we really should have split. There were creative differences, the insistence uniformly of all my teachers that I should find my own voice and that my reliance on John was a crutch. There were relationship issues as I kept making new friends who were sometimes vibrant, sometimes crazy but mostly active, while John seemed to reclude into his crowd of, what I deemed then, unsavory characters who I credited for John’s withdrawal into himself and to drugs and alcohol. Finally, there were personality clashes, John was often cold and calculating, something that had served him well in a life where people weren’t always looking out for his best interests, as they had for me growing up, but which made him at sometimes a fairweather friend.

It’s difficult to describe a friendship and impossible to do it in so few words. All I can give is a sense of a bits of how I feel about it looking back.

The last time I saw him was about a year-and-a-half after we moved out to separate places from our place together in dorms. It was a party for his graduation, a semester early. We hadn’t been involved, by that time, in each other’s projects for a while. John had made his Junior film, his last, with a skeleton crew with only one person I knew, while I had just shown him the script for my advanced, which he gave me kind words for, saying it was “the best thing you’ve ever written”.

It was at a superhero bar in the scummy part of Brooklyn he was living in and I think I might have written about it then, though I don’t care to look back.

We talked a while, while his irrepressible father filmed the event and, for once again, John was the life of the party, the center of the storm, amidst free PBRs and cheap shots.

There’s a lot of moments I could mention, good and bad. How we stayed at his house in Rome one summer while I wrestled one of his many dogs, one of the first times I overcame my fear of them. How we would sometimes go down to Chinatown repeating the ritual of ice cream and food I had founded with my friend Frank. How he would ask for a six pack and then pretend like he thought I was buying it when we got to the store. How he left with a girl I liked a lot, sitting heart-broken in my room on Valentine’s Day. How we made some of things I’m most proud of artistically in my life together and how we laughed the whole way through it, chuckling and giving each other silly high fives.

I got too drunk at that graduation party of his, kissed a girl I shouldn’t have and haven’t heard from him since.

And that was it.

***

Jonny-Jon-Jon, not to be confused with John Weeke, has been well documented on this blog.

On a crazy voyage we once took walking across the Williamsburg bridge, we had once stopped in to a bar I used to frequent, Goodbye Blue Monday, to hear the live music on a late Tuesday evening. The songs were uniformly terrible, but I had at least sympathy for the group of 17-18 year-olds from Baltimore who had driven up all this way this morning so they could play for free at a shitty bar in Bushwick. The band was called “Sharks with Knives”, which the lead singer, who looked like a chubby-clone of the lead singer of Green Day, described as his “solo project”.

The worst stuff we heard there though was a black dude in drag wailing the words “White Pussy” over and over again, over an equally wailing piano.

“This is fucking terrible.” I commented to Jonny-Jon-Jon, sitting at our table.

Jonny-Jon-Jon answered non-commitally, flipping through a late 50s LIFE magazine, several of which were scattered throughout the bar.

“What are you talking about?” Jonny-Jon-Jon said. “Pitchfork would call this: haunting.”

If John Weeke was a friend because he was relatable, Jonny-Jon-Jon was one because he was different; a character or caricature representing a sort of ur-cool, or, as I’m sure he would put it: “I am the Neil Cassady of my generation.”

He isn’t, but I always had a good time hanging around him, or at least usually did, or at least the good times outbalanced the bad.

Jonny-Jon-Jon and I had met the first day of orientation, when he put on his name-tag, “Jonny-jon-jon-jon-jon-jon-jon-jonjon” and given my wise-assedness, I decided to keep calling him that, or at least an abbreviated version and it mostly stuck.

The nights I spent hanging out with him managed a difficult interplay: he was certainly harder into everything than I was, drugs, alcohol, women, but I made a good straight man to his craziness and maybe I needed a bit more craziness in my comparatively button-down life while he needed someone who wasn’t such a goddamn phony.

Mostly I saw my nights with him as miniature movies: stories I witnessed with minimal audience participation. But they usually involved pretty girls, crazy times, darkly little bars and other things out of songs by The Doors, who I found out the other day, were film students from UCLA.

Usually, I’d come out with him on a random whim or phone-call. He’d be flaky and not come, or I’d expect his flakiness and not show up, but when we managed to get together, we both seemed to have an appropriately fun time for our respective fun levels. I had my boundaries (Don’t depend on him, expect randomness, don’t go anywhere near any girl he’s ever been with) and usually they held up well, to the effect that I got to get out a little more and hangout/have a good time with someone different than me, but with mutual respect/admiration of sorts within our own confines.

At least, usually.

I read in the New Yorker the other day that the singer I had seen that night at Goodbye Blue Monday, M. Lamar (a name I found out by searching “white pussy” and ignoring spurious results) was featured by a critic in that magazine as “haunting” among other raves. I called up Jonny-Jon-Jon to tell him in disbelief when he told me that “was I still coming tonight”, Diana was going to be there.

***

“This sounds bad.” I told Ashna. “Diana. This sounds like a bad idea.”

Diana, best remembered here, was a girl among the line of girls who had previously broken my heart and also just about the only girl that had caused Jonny-Jon-Jon and I to cross swords. Jonny-Jon-Jon and I had both falled for her while she was wearing ridiculous big-hipster glasses and a big human smile at a party that Jonny-Jon-Jon was bartending. I got into a balloon fight with her which she didn’t remember before I lost her in the crowd. I told Jonny-Jon-Jon to look out for her and let me know if he saw her, at which he saluted, shook and afterwards took her home and good and fucked her. They dated for a while and though Jon was aware of the story, Diana didn’t remember me, though I of course, remembered her. My friends advised me to forget about it, but as Jon and her relationship came apart, as relationships with someone who described himself as “the Neal Cassady of our generation” are prone to do, she started spending time with me and Diana is very beautiful and very open and she has a good smile and I didn’t have a chance. I fell for her hard as she spent time with me and my friends, went out drinking, giving me a playful impromptu kiss-on-the-cheek before running away one night. It’s funny how small things like that can seem so significant to a person, compared to the sudden insignificance of the hours of sex and affection she’d lavished on my best friend.

After the incident described in the aformentioned post, I had stopped contacting her, a measure taken to protect myself as much as anything else. Diana was too happy-go-lucky, too pretty, too nice, I could forgive her too easily, but it wouldn’t be good for me. What’s more, I couldn’t even trust or gauge her on how she felt, which made me feel even worse about myself, that I was blowing up any sense of scale of us having been involved.

But when she started contacting me again recently, I at first didn’t reply, but then feeling came flooding back to me, all the good moments, how my friends envied me for hanging around this beautiful girl and that kiss down near Bed-Stuy and the shortness of breath I felt around her. First I asked about a movie but when our schedules didn’t sync she asked about a “dinner date” and it was all I could do to cotnain myself as if nothing had happened.

“Relax.” Ashna told me. “It’ll be okay.”

Ashna, another best-friend, my third chronologically perhaps at college, was someone who I shared an emotional bond with. Another beautiful girl, smart as a whip and fierce with her reasons and feelings, Ashna and I shared both a similar work ethic but also a predilection for difficult emotional situations. Throughout the years we’d known each other, we’d remained somehow platonic friends, a difficult feat for me with women. We were always going through though, our own personal earthquakes, through which we maintained our friendship by stabilizing and cleaning up each other’s tremors. By supporting each other and just being there, corny as it sounds.

“i’m just worried.” I told Ashna.

Jonnny-Jon-Jon already had a tendency to place me inconveniently between him and his lady-friends as a sort of cat-and-mouse exercise, but with Diana it would be especially uncomfortable.

“I just don’t want to be put in a bad position.” I told her. “I just don’t want to be stuck there.”

Ashna looked into my eyes as I sat on the edge of my bed while she kneeled beside me. It had been a tough day for her too, full of family craziness and interpersonal angst and self-loathing, qualities I could all relate to, too well.

“Don’t worry.” She told me. “I’ll be here for you. I won’t let that happen.”

Impulsively I picked her up, her light 5-foot-frame easy to manipulate, “portable” I’d called her and smushed her on top of my bed.

“Thank you.” I told her. “Thank you for being there for me.”

I stifled an impulse. I felt sad. I wanted to tell Ashna that the way I felt emotionally fulfilled smushing her on top of my bed, talking, being there for one another, is the feeling I had been chasing looking for a girlfriend or a partner in my life. The idea of an emotional intimacy, of knowing someone and listening to them and knowing how to be there for each other in ways that are subtle and significant. I wanted to tell her that, but I didn’t want to ruin the moment by making it “off” or “weird”.

“Don’t worry.” Ashna told me. “I’m coming with you to Jon’s tonight. And if anything gets weird. We can leave.”

***

“I think I’m gonna stay a while.” Ashna told me boozily from the top of McKibben roof.

After the horror of having to observe Diana, the girl I’d made a date with, make out with my best friend (JJJ)’s neck while my other best friend, Ashna, took swigs from a bottle of Wild Turkey 101, the night had progressed to a party at the McKibben lofts, close to Jonny-Jon-Jon’s place.

At this point, I was just pretty depressed and out of it. I was done with my beers, done with drinking. We had showed up at the party and it was hot, sticky and humid. Instantly, people showed up I knew and knew I didn’t like and suddenly there felt like no reason to stay and invite a worse-off night.

Ashna assured me she could take care of herself. I just left, a disappointed blank.

Ashna, Jonny-Jon-Jon and, mortifyingly enough, Diana had come up to me throughout the evening seeing if I was ok.

“Yes.” I’d give them back and continue staring flat-forward.

To Ashna’s credit, she noticed how the shit with Diana was hurting me and told me repeatedly: “Don’t sweat it. You’re better than her.”

To Ashna’s demerit, she told me the next morning how she had made out with Diana after I left and said with an excited lilt in her voice that her and Diana were planning on “being friends”.

“You know, to put it bluntly, I’m vaguely horrified by that.” I told Ashna, blunty, vaguely horrified.

“Yeah, I guessed that.” Ashna said.

I ended the conversation and furiously ate the plate of fries in front of me, stuffing them into my mouth, like that could shut up my brain.

I had left last night telling Jonny-Jon-Jon at least what was on my mind: That I shouldn’t have come tonight, that he shouldn’t have invited Diana and that if he was going to invite her he certainly shouldn’t have invited me.

I told him, frankly, “this whole thing is too fucked”.

He agreed.

And I did too.

***

I sent a message over Facebook the other day to Margaux, John Weeke’s sister. I had always had a soft spot for her, in a brotherly way, since she was an outspoken, blunt red-head–something I could get behind.

My message was simple asking if she knew where John had gone since no one I knew had heard from him. John had become increasingly isolated in the months before he disappeared of everyone’s radar, breaking off contact with my friends, just as I broke off contact with what remained of his. But I began to wonder to myself what might have happened to him as my friends I continued to flail about, like beached fish in a post-collegiate atmosphere.

She sent me a nice, prompt message back.

John was fine, she told me, happy. He was working as a sous-chef in Alask and managing a trailer park, where he lived.

It sounded like a good life for John, a quiet loner who had loved Alaska when he went there for its rugged independence, strongly resembling his own.

It sounded like somewhere he might be happy.

Somewhere he might have started over again.

She told me that he was responsive to text and email and that he had gotten a new number. (He had deleted his FaceBook and his old number didn’t work.)

She said if I contact him if I wanted.

I told her that would be fine, just to tell him that I had asked.

He had a life to get to.

I had mine.


Days After and After-Days

July 6, 2009

Another morning, another hangover.

Jeez. when I write it that way it makes me sound like an alcoholic.

Then again, maybe I am. But at least I sincerely don’t think so.

The occasion was my birthday, the drink, too many beers and the time of realization, the morning after (of course).

Like most hangover-mornings that I’ve had, this one was accompanied by a sort of mental forensics as to how, oh how, I could have possibly have gotten into this state.

I was just drinking beer, I thought to myself, what else was there?

One shot of basement-bathtub absinthe but that shouldn’t have been enough.

My mind spun trying to deconstruct the different liquors I must have consumed, the ice cream, the pasta, the one or two free drinks.

My mind spun… and then my stomach did too.

Thankfully, there wasn’t much there to heave into my early-morning toilet and an involuntary purge, while sending me shivering, at least cleared my head for a bit.

The first problem was clearly lack of sleep; I’d only gotten five hours, certainly inadequate.

The second problem was water: not enough of it. I’d drank the 40oz water I keep in my refrigerator for nights I come home with a certain morningtime doom on my mind, which I had named, affectionately, “The Hangover Express”.

But this had brought me to problem the third: the sheer amount of beer I had drunk, even if spaced over a long period of time. was too great for even that sacred water to overcome.

Indeed, I probably would have had to drink my weight in water to make up for it.

A shame.

***

The birthday itself ended up being a normal enough affair. I should have spent more of it at the karaoke bar, a place rapidly becoming my sort of scene, as opposed to the Brooklynite party Rubulad, a sort of symbol of my fading collegiate self.

The karaoke bar started off slow–I was the only one there for the first hour–which led me wonder to wonder who started this practice of coming an hour or more late to parties. It seems like if the hosts had wanted you to come at that time an hour later, they would have damn well asked it, I thought to myself over a 3-dollar happy-hour Stella.

“A Belgian wifebeater.” I told the bartender, as she handed me one.

“What.” She replied, giving me a strange look.

“That’s what they call these in Europe.” I told her. “A Belgian wifebeater.”

“Because they’re cheap, so the hicks who buy them are the kind that beat their wives.”

The bartender gave me a look of relative disgust, hidden in a rather-forced smile before walking over to refill another patron’s demand for more water.

After a while though, Rob and Blake LaRue showed up, followed by the unlikely Jonny-Jon-Jon, who seemed to have a good time despite flaking out of a go at “Mr. Tambourine Man” I had set up especially for him. I took over, when he refused to acknowledge the song, but I feel like he could have done a better job.

As more people came in to happy-birthday me, the party got better. Rob and Blake hit some songs and I got to do some Neil Young, some Bruce Springsteen, both of which put me in a happy-birthday mood.

By the time we were headed out the door, it was getting crowded at the bar: the downside of a Friday, July 3rd birthday.

Still, it felt good to be at a place where foolishness was tolerable.

***

As I said, we probably shouldn’t have gone to Rubulad, the second stage of my birthday party.

Rubulad’s an atmosphere of it’s own, with divergent interests and types. College kids looking for a good time. Tourists looking to experience the underground New York. Aging hipsters attempting to recapture their youth. And older people still just attempting to remain part of the scene. Everyone brings their own expectations, their own hopes to the party, as well as their own history–which is both a strength and a weakness.

For me, I felt both the need for some amount of predatory romance (to prove myself to my friends and myself on my birthday) and the intense-inwardness that comes from a night of drinking winding down.

The people there were nice to me, for the most part, lavishing me with free ice cream and pasta.

Ashna and her posse showed up later in the evening as I was getting ready to go.

Jonny-Jon-Jon and my best friend Frank from high school had formed an unlikely pair, attempting to woo a set of attractive Staten Islanders who ended up swinging towards guys that looked more “uniform”.

An old flame called me while I sat on the roof at the party, to wish me happy birthday, tell me she’d seen me on Letterman and encourage me to “call her or I’ll call you”.

I said thanks and hung up.

“What do you do with girls who are this way and that?” I asked Rob, who sat drunkenly near a giant birdcage on the hodgepodge of Rubulad’s roof.

“Fuck if I know.” Rob told me. “You love them or don’t. And fuck if you know why or can help it.”

I left shortly after.

I heard the next morning from Rob that Blake had found him in some bushes passed out and had taken him home.

“A mitzvah.”–I told Blake via text message.

“What’s that”–his reply.

“Look it up, goy”–I told him and went back to the sleep that would, with some barbeque later, finally kill my hangover

***

I spent the next couple of days hanging out with Frank, living like it was the summer of high school, playing video games and eating chinese food in his old-style Park Slope brownstone.

The hours passed fast lying on his uncomfortable bed, or his pathetic chair with tiny protruding staples sticking up from where a cushion used to be.

I saw Public Enemies with a cute (but crazy) girl and said walking out to her that it was and I quote: “The best Batman movie I’d ever seen.”

As we walked down the street, I thought well of this quote and typed it up on my phone to send to my friends.

“You’re rude.” She said, barely taking notice, as we walked. “And judgemental. No wonder, you’ve lived in New York your whole life.”

“Where’d you think I was from?” I asked.

“New Jersey.” She replied.

“I’ll try not be offended but I can’t promise you.” I told her.

We ran into a group of youthful tourists who I told which way to go to the Meatpacking District while they told me I looked like Seth Rogen.

“Are you coming with us?” One of them asked, after I’d pointed.

“Nope. I’m taking this young lady to the train and then we go our separate ways.”

And that we did.


Two Movies and their Accompanying Characters

June 24, 2009

I never thought he’d say yes.

Jonny-Jon-Jon, pertpetual sunglasses-wearer, sallow-skinny with bangy-greasy black hair and occasionally pink t-shirts–I couldn’t remember the last time I’d even seen a movie with him.

“12 bucks?” He’d say incredulously over the phone. “That there’s whiskey money.”

And promptly there, the conversation would end.

It took a new Woody Allen movie starring Larry David–two of his favorite Jews–to lure him out of his bacchalean retreat, but there he was in front of the Angelika ready to see me with a handshake and a story.

“Zombie Bob Dylan, they called me!” He exclaimed excitedly, almost proud. “Those French girls called me Zombie Bob Dylan! God damn, I’ll take it.”

We were early for the movie, Whatever Works, which gave us enough time for some catching up. The movie was playing twice-an-hour anyway at the theater, so we really had some time.

“You ever come to Manhattan?” I asked Jon. “You know I go to parties with plenty of pretty girls.”

“And what do you have to show for it!” He demanded. “Nothing! No thanks! I’d rather stay in Bushwick and go to Kings County.”

Kings County was a whiskey bar we’d bot went to where I’d suffered mild disappointment and Jon had suffered free drinks from an amorous bartender.

“Don’t you get tired of going to the same bar every night?” I asked him.

“I’m actually moving into an apartment two doors down with Milo.” Jonny-Jon-Jon said.

“But you already live two blocks away.” I replied.

“Ah, but two blocks,” He complained, emulating a Yid-and-a-half. “The walking! why would I want it when I can just live two doors down.”

This was a little annoying to me as a. Jon’s proximity to the bar would mean probably even less time spent in Manhattan and b. it would mean having to reckon with Milo, Jonny-Jon-Jon’s wanskter-Jew best-friend, the sort of person who’d put the world “DJ” in front of their name, regardless of musical credentials.

I took some reassurance in the fact that Jonny-Jon-Jon, despite present preferences, was never long for bars, proximity or no.

“You afraid of getting kicked out.” I stated matter-of-factly. “That why you haven’t slept with the bartender.”

“That or variety.” He said. “Hipster girls are a dime-a-dozen and it’s easy to lose sight of the forest for the trees, if you know what I mean.”

I meant to say that I didn’t but then the movie was starting and jazz music stifled any further comment.

***

Whatever Works proved to be a flawed beast, as many a Woody Allen movie is.

The script, as much noted, was from the 70s and original written for Zero Mostel,the great Yiddish theatre actor. Zero was a man who could do no wrong, creating a zeitgeist in comedy history with his Max Bialystock for Mel Brooks’ The Producers.

But this was not the 70s, Allen’s golden age, and Mostel was dead, his replacement one Larry David, a veritable modern inheritor to the Jewish comedy of Mostel, in his own self-centric way.

The film had many problems: the morals were facile (that people from outside New York are dumb), the structure was bizarre (full of Larry David addressing the camera, something he never even does in his self-aware TV show, Curb Your Enthusiasm) and the acting was often poor, partly due to Evan Rachel Wood (the lesser of the two actresses from Thirteen) but mainly due to Mr. David, who while certain a great funny-man, knows what appears to be jack-shit about acting.

In response, the actors and the camera act around him with such good hacks as Ed Begley Jr., Patricia Clarkson and Michael McKean attempting to spin whatever they can out of a constantly punch-drunk film.

In a way, the mottto of the film, spouted by Mr. David’s Russky-professor-type Boris, that we should take “whatever works” in life for happiness, does apply to the film itself:

We see some good acting, some funny moments.

Some appreciation of Manhattan below 14th st.

We see a return to Mr. Allen’s pleasantly cynical world that I at least have missed from before I was born, looking back on a Manhattan that I never knew, but want desperately to be familiar to me.

Whatever Works is a messy, often incompetent movie. Yet it is certainly better than the pure, drivelling shit that Woody Allen has been spewing out lately with films like Scoop and the overrated Vicky Cristina Barcelona.

Maybe the fault is not even with Mr. Allen.

Maybe like my friend, Jonny-Jon-Jon, people change and differ in their lives, environs and abilities.

So we eke out whatever happiness we can from a cyncial world, even if that happiness if an un-great Woody Allen movie.

Hey, whatever works.

***

To be honest with you, I never actually saw the first one.

But still, I knew it would be stupid.

It was the summer of 2006 and all my friends were talking about, while I was basking in the Apatovian glory of Knocked Up and Superbad, was fucking Michael Bay and fucking Transformers.

I had no desire to see Transformers. It looked dumb. Just as I have no desire to see the new G.I. Joe movie, just as I wouldn’t see dumb horror movies or Hancock, why would I ever want to go see Transformers: a movie based on rip-off Japanese action-figures.

“Nick!” My friend Frank would confront me. “It transformed my expectations! From a bad movie to a good one!”

These sorts of claims were routine that summer and even after, I got sick of hearing them, eventually I took them and accepted that everyone thought this movie was great and awesome and wonderful and “Go, Michael Bay!”, ra-ra, fucking ra.

It was in this way that I was convinced to see the second movie without ever having seen the first.

“Alright. So there are these alien robots and Shia LeBoeuf is like, he’s like some nerdy kid with glasses. And the glasses have some Megatron thing on them, so he’s like important. And Anthony Anderson is pretty funny as some computer nerd. And there’s a black Transformer named Jazz. And he break dances a little bit and then is the first one to die.”

This was Rob’s hap-hazard rundown of the first movie to me as we walked down the street. I had just come from seeing Bruno with Ashna (I am embargoed from writing about it until July 6th) and she had decided (read: was kidnapped) to tag along with Rob and I while we walked from Times Square down to the bootleg-IMAX theater we’d be seeing out midnight show at.

We had all just come from The Legendary CART, the one I’ve mentioned before here, over on 53rd and 6th. Both Ro-beardo and I were unable to finish our significant chicken platters due to self-over-estimation when it came to the CART’s notoriously evil hot sauce, a brew of such potency that it makes one feels as if they were derided by the devil for merely thinking of the idea to eat.

“Yeah,” Rob noted. “Even though you haven’t seen the first one yet, the plot’s not going to be the same. All you have to know is that Megatron is underwater somewhere. At the bottom of the sea.”

“You wanna come Ashie?” I offered, thinking of the hilarity that might ensue bringing a cultured citizen-of-the-world to a midnight screening of Transformers II.

“No,” She told me. “I think I’d rather actually see the first movie first.”

“No offense, Rob.” She added.

“None taken.” He brushed off, though somewhere I’d like to think he was a little hurt.

We said our goodbyes to Ashna, I got in an altercation over the discounted price of Nestle-Crunch Ice-Cream DIBS and then we got our one IMAX preview and the show was on.

***

What can I say?

Yes, it was stupid.

That said, it was kind of fun.

It’s hard for me to rate something that isn’t just a “bad” movie, but is so insistently so.

In Transformers II, there is blatant racism, a plot that makes NO sense, a bunch of talentless actors and John Tuturro who looks like he’s somewhere between Roger Rabbit and a speed overdose.

That said it’s hard to criticize these things when they’re such blatant choices.

Michael Bay, at his best, has something retrograde in him: he resembles King Vidor in hsi sprawling epic with winks and nodds, unconcealed and indeed played for laughs.

He’ll never be a real artist, someone who elevates the form like Sam Raimi, whose regard for horror and comedy strikes something primal and child-like in us.

But what he is, is a fun maker of stupid, action movies that make no sense.

And as sheerly dumb as Transformers II is, I’d rather see it than The Final Destination or Project 39 or some of the other unappetizing films coming up this summer.

I guess, it’s just because, well, it’s Michael Bay.

At this point, I kind of trust him to make “bad movies”, as opposed to the fools who fuck up and make truly “awful” ones.

So see, Transformers II, if that’s what you’re in the mood for.

“It was out of control.” Ro-Beardo said, coming out of the theater.

“Yeah,” I said, backing him up. “It was insane and messy and the plot made no sense and there were like 50 Transformers fighting at once.”

“Fuck yeah.” Rob said proudly.

“It was even better than the first one.”


Follow

Get every new post delivered to your Inbox.

Join 129 other followers